Thursday, July 23, 2015

It's not a holiday

So people think that international business travel is fun, exciting and a bit of jolly really. But it's not. Not any more. Sure, twenty years ago it was. With unlimited wine and open borders. I remember my first visit to the USA where airplane passengers were asked to ensure they had unloaded their pistols before boarding. You could have a gun, you could have bullets, just not together.

But now budgets have shrunk, airlines have worked out how to cram as many people into as small as space as possible and border controls are just one long line leading to another long line.

So you might not believe me when I say I'm in Boston, MA not Lincolnshire, for a conference on the Passive Approximation of Quasi-Finite Spectrums. Yeah, grates with me too. We invented the language and then you lot ruined it.

And whilst this trip does entail staying in one of the oldest hotels in Boston, and it is a city of immense history, it also involves sitting on a wobbly chair that's just a bit too low listening to folks that know their stuff just not their presentation skills in room that is a bit stuffy after just four hours sleep. Oh, and for eight hours. And whilst you might think I've skipped sleep because of the good life, I haven't. The flight got in after 9:00pm, then there's those border lines and a taxi and a check in and an unpack and then, yes, just one beer. And then if your body doesn't go and think the best thing to do is stay on UK time and wake you up at 4:00am leaving you to alternately stare at the ceiling and the clock until it's time to get up.

Then there's the food at these things. An early breakfast - cooked; Break - cookies [don't]; Lunch - cooked, but admittedly looking like boiled frog and rice; Break - cake; Evening reception - finger food and beer.

So by the end of all this, what with the duff chair, the lack of sleep and all the eating; I really needed a bit of exercise. My US colleagues decided to keep on the roll of food and beer and I told them I would meet them in the bar in 90 minutes time. They know I like to be accurate, so they set a stop watch going.

I went back to my room, changed collected my phone for some music and went to find the exercise suite. Standing by the lift I realized that it is probably better to walk there so I decided to find the stairs.

And once through the door, I saw a sign saying "Gymnasium" and an arrow pointing along a corridor. Cute, I thought, old hotel still using traditional language.

So I followed the sign to some stairs where there was another gymnasium sign and an arrow pointing down. I went down two flights and then followed along a corridor as instructed. And here it goes a bit strange as there're some stairs and a sign saying Gymnasium only with the arrow pointing up. So I followed it, and then along another corridor to a sign on a door. Which I went through to discover another corridor. And at the end of this a staircase with a bloody sign inviting me to go down. I checked my phone to see if there was any signal, there wasn't and the GPS wasn't playing either, but I could swear that I had gone down two staircases, up one and there, back and there. Only what with the rickety stairs and the meandering corridors, I couldn't be certain where I was. And the signs only pointed to the Gym. Not back to the lobby, or rooms, or restaurant any anything vaguely un-Gym like.

So what do you do? You follow the sign.

And go down two more flights. And along another corridor. Which I think must go out of the hotel and under the street.

And there again is a flight of stairs, going up. Which I take. Only to find another corridor. So I think, bollocks to this and turn to take the stairs back and try and work my way back. Only now, the stairs are not down, but up. With a sign saying Gym. Just Gym, and in a scrawl that's almost hard to read it's so old. And now the corridor has gone and only the stairs up remain.

So I have no choice and I follow them. I'm running now, I clatter through doors, stride along corridors and scurry up stairs. Getting more and more worried that I'm never getting out.

And then suddenly I'm in the foyer. A bright modern foyer. With electric lights and windows and there at the desk is a smiling receptionist.

As I approach her, she does her best to maintain her smile; but I'm a sweaty, slightly overweight Brit that has panic on his face.

'How can I help you this evening, sir?' she asks, remembering her training.

'Where' <pant> 'Is' <pant> 'Your' <sniff> 'Gymnasium?' I manage to ask.

She looks at me with a pained look before saying, 'Our luxury and fully equipped fitness and health suite is currently undergoing an extensive refurbishment. Guests are invited to use the facilities of an exclusive sports club just a few short minutes from the hotel. The concierge will be pleased to offer you directions.'

'But, no gymnasium?'

'No sir. I'm not even sure if we use that word any more.'

'In the hotel industry?' I asked, a bit sharply perhaps.

'No sir. In America.'

I thank her and turn to look at where I had burst into the lobby. There's a flower arrangement on a table in front of a wall. And nothing else.

'Dude!' came a call from behind. 'Good workout? Your dripping! Twenty minutes, beer!'

'Dude', I replied. 'Beer now.'


Friday, June 5, 2015

A good enough reason

I hate trains.
No, seriously, I really hate then. And I have good enough reason.
So imagine my horror at being asked to attend an audition, and to have to get there by train. I should perhaps explain that 'there' is London. Oh and that today is Friday.
So now I find myself on a train back from an armpit of the south in a crowded box on at Friday afternoon.
And I hate trains.
And auditions. Because they generally go like this: "Oh it is you." And shortly after that: "Right. Thanks bye." If I'm lucky.
So here I sit, fully in the knowledge that once again I didn't get the part, in the forward facing window seat of a table for four on a train that's going to pass through the other armpit of the south - Reading. You know this train's going to be packed.
But that's OK. I keep my hat on, my book up and no-one should recognize me. No that anyone cares, what with their phones and tablets and such.
But it is outside Reading, Mortimer to be precise, that things start to go awry. For a start, Mortimer is one of the few places on earth that radio can't reach, so everyone's phone takes a break from showing cat videos. And the train decides that enough is enough and promptly breaks down. Bristol, for it was there that we were heading, will have to wait.
And I make the fatal mistake of looking out of the window. Just for a second. And the guy opposite says: "Oh it is you. I did wonder."
And his wife says, "Who is he."
"Him, off the telly. Ahh. Y'know..." and he looks pleadingly at me.
"Sixty Seconds or You're Dead."
"Yeah... Sixty Seconds or You're Dead." He turns to her and looks. "No?"
"Never heard of it." For a moment, I love this woman with my whole heart.
"It was this sketch show. With Dave Burbleberry." She sniffs. "And he was in it."
And indeed I was, for less than sixty seconds a show.
"What was your catchphrase?" For ever, I will hate this man with my whole body.
"I got my dick stuck in it."
"Bingo. I got my dick stuck in it." And his wife looks at him, and then the guy sat next to me and finally me and says, "Really? That's...."
"Unfortunate," I add.
"No," he counters. "It was brilliant. Every week, there would be something that was broken, or not happening and, and, and, he would have to say 'I got my dick stuck in it.' Boom, end of scene.
"Wife's hair dryer won't work - I got my dick stuck in it; Petrol pump's blocked - I got my dick stuck in it; Toaster won't pop up - I got my dick stuck in it. Even the election special - he couldn't post his ballot in the box because?" He directs the question at me. And I'll be damned if I answer.
"You got your dick stuck in it!"
"I did indeed."
"And," he adds with an overly long dramatic pause, "in a Welsh accent."
Which he now proceeds to try. At length.
Until, and at this point I think fortunately, the guard passes. And our chum asks: "Why's the train stopped? Has he got his dick stuck in it?"
"No," says our Welsh guard somewhat taken aback, "points are stuck."
"Brrrrriliant, you can do the accent. Go on, say it."
"Say what?"
"I got my dick stuck in it."
"Oh no. I don't think so, sir. Not really me." And he carries on down the carriage.
"Oh. Oh well. Just me then.
"I got my dick stuck in it. I gghhot my dick stuck in it."
"Look," I interject, "that's not really a Welsh accent. It's more a constipated Pakistani."
"Oh." He is crestfallen, which I rather enjoy.
But I can see him practising under his breath until eventually:
"I got my dick stuck in it."
"No. But at least the laxative has worked. Listen, have you ever seen the film 'Kingsman'? About a secret service?"
"With Jason Statham?"
"Colin Firth, but close enough."
"Sure it wasn't Jason Statham?"
"Yes. In that, the weapons officer, the Q if you like, was played by..."
"Jason Statham..."
"Mark Strong. Now Mark Strong, whilst being follicallly challenged, is probably one of Britain's best actors. His character was supposed to have a Welsh accent, but even he couldn't manage a decent one. So they switched it to Scottish."
"You sure it wasn't Jason Statham?"
"Yes."
"Then I ain't seen it, then."
I look out of the window. I hope the break in eye contact stills him. I hope.
"So, how come you can do one?"
"What?"
"A Welsh accent. You don't sound Welsh now."
"I was bloody born there. I've spent 43 years trying to lose the damn' thing."
"Oh yeah. When you're angry you can hear it."
And at that moment the trolley goes past.
"Here mate," shouts my number one fan, "got any coffee?"
"Machine's broken," says the steward.
"What? Have you got your dick stuck in it?"
What are the chances of my number two fan working for a rail company?
"Yeah. And the teapot, I got my dick stuck in that too." Only his accent is better.
They trade 'I got my dick stuck in it's to the merriment of the coach. And my mounting frustration.
"Will you, shut the flange, up?"
"What?" they say in synch to each other.
"Will you. Shut. The flange. Up?"
"The flange?"
"Yes. Just, just, shut up. I hate the phrase. For ten years since that programme aired every interview, every audition has ended when they recognise me. Normally, they demand I say it. 'Go on, go on' they say 'do the phrase'."
"And what do you say? Do you say it?"
"No, I normally reply 'Go fuck yourself' and the interview pretty much ends there...."